In a quiet corner of weaving history, where time stands still and tradition whispers through silk, the Petit Point Convent Embroidery on Double Ikat Patan Patola emerges like a timeless relic from a royal museum. The hue is reminiscent of a marigold in full bloom—radiant, festive, and grounded in sacred rituals. It is the colour of turmeric being stirred into warm ghee, of saffron threads soaking in a copper vessel, of sunlit spice markets in a forgotten princely state.
This piece is not just a saree; it is an heirloom stitched with lore. The double ikat Patan Patola, known for its mirror-image weaving and precision so fine that even gods, it is said, admire its symmetry, forms the body of this marvel. Onto this rare fabric, the delicate Petit Point embroidery—originally mastered by European convent nuns—finds its new home, crossing continents and centuries to rest gently upon an Indian textile wonder. Like pearls sewn into a lotus leaf, every stitch of the embroidery enhances the grandeur of the ikat base without overwhelming it.
Myth has it that a celestial muse once appeared in the dreams of a Jain queen of Patan, urging her to preserve the secret of the Patola weave, for it was blessed by Saraswati herself. Since then, these sarees were woven not just with thread, but with devotion. Adding Petit Point to this already sacred craft feels like painting miniature frescoes on temple walls—delicate, sacred, and eternal.
This creation is fit not for everyday wear but for ceremonial moments—a saree that belongs in a palace courtyard or draped over a bronze sculpture in a heritage museum. The Petit Point Convent Embroidery on Double Ikat Patan Patola is a bridge between Western finesse and Indian sanctity, stitched together with patience and reverence. It is a saree that asks not to be worn, but to be worshipped.
Your queries are best answered through WhatsApp
We post our products first to our privè broadcast list on WhatsApp. The inside circle gets preview to our exclusive collection with prices. MESSAGE US TO BE ADDED
#PatanPatola
No comments:
Post a Comment